Experience

Developing VR experiences for a variety of clients and studios, including the Royal Australian Airforce W/ Eyejack, FILA W/ Fin Design & Effects, Syngenta W/ 3D Visualisation Lab @UNSW
Developing visual content for touring musicians (RUFUS DU SOL, Flight Facilities)
Collaborating with artists to create interactive installation art for galleries and public projects.

Coordinating the implementation of set and design elements across departments to be represented virtually in UE5.
Creating the broader virtual world beyond sets with a team of artists for film continuity after handing off sets to VFX.
Driving virtual scouts with the Director, DoP, VFX Sup. and department heads to ensure all depicted information is understood and agreed upon prior to shoot.
Preparing sets in UE5 to be Simulcam compatible for on stage virtual camera tracking.

Designing, Optimising and Processing virtual sets to be explored and edited in VR using UE4.
Working alongside the directing team, facilitating their experience and ensuring their changes are made before shooting.
Building personalised tools for the directing team within UE4 to ensure their needs are met when scouting the virtual sets.
Collaborating between various departments on set to ensure their work is accurately represented virtually.

Conceptualising the collective ethos and operating communications via Discord.
Organising exhibitions, meetups and prototype nights for members of the collective in Sydney.
Designing branding and artwork as promotional content for the collective.
Curating Media Arts exhibitions under the name Origin for both myself and other groups to be exhibited in the near future.

Working with 3D content and UI elements to produce stylised environments within Unity.
Working with the HDRP for Unity in the aim to produce better looking visuals.
Working with Unity’s Navigational AI and Polarith AI to produce conditional profiles for cars and pedestrians on a road simulation.
Experience in animating through Unity, creating seamless animation transitions for environment objects based on triggers from their surroundings.

Constructing 3D photo-realistic environments inside Unreal Engine of natural spaces.
Using the HTC Vive and Unreal Engine’s Blueprint editor to program interaction.
Experience connecting OSC to the Blueprint Editor for gallery wide lighting, sound and computer-to-computer interaction.

Tasked to Implement live motion capture data to the Unreal engine.
Animating a choreographed sequence in Maya and Unreal to supporting music.
Managing deadlines and feedback from client to our development team.
Ensuring all hardware is communicating effectively to the computer and rigged securely to the theatre gantry.

Skills

Please Do N̶o̶t̶ Touch The Art - Airspace Projects, 2016.
Media Arts Symposium - Interactive Media Lab, 2016.
Re: Materialise - Kudos Gallery, 2017.
Junction Works x UNSW Motion Capture Performance - Casula Powerhouse, 2017.
Fowlers Gap - Arid Research Zone Artists Residency, 2018.
Loading - Interactive Media Lab, Sydney. 2018.
UNSW Annual, 2018.
MOVE Symposium - UNSW Art and Design, 2018.
Origin (0,0,0) - Goodspace Gallery, 2019.
The Big Anxiety Festival - Sydney, 2019.
Origin (Virtual) - Kudos Gallery Online (IRL2URL), 2020.
Origin (Parallels) - Kudos Gallery, 2020.
Hybrid Ground - Sydney Childrens Hospital, 2021.
Mint NFT Art Fellowship Award 2021.
Spin-Off Festival, Fairfield City Council, 2022.
Origin (Marle) - 4A, 2022.
bodyplace - Bankstown Arts Centre, 2024.
kajoo yannaga - w/ Melbourne International Film Festival x Now or Never Festival. ACMI, 2024.
Look ▶ See - MIFF Summer Residency, 2024.
Beyond Endings - w/ Junior Major @ Museum of Discovery, Adelaide, 2025.
Look ▶ See - Australian Pavilion, Osaka World Expo 2025.